Today I went over a topic that I accidently skipped: camera movements. The camera movements are the movement of the camera in the film at the scene is being shot. First there's the pan, which is when the camera moves steadily from left to right. The tilt, which creates a Dutch angle, is when the camera is tilted at an angle, to provide a distorted effect. The dolly is when the entire camera is moved forward or back, similar but not the same as a zoom. A zoom is only when the lens is moved forward, and it allows for the viewer to focus in on what the director wants to emphasize. The reverse zoom works the same, except the lens is moved backwards and it's usually done to reveal the background and surrounding objects. The crane is, as the title, as shot that's done on a long mechanical arm that's like a crane, which can widely show the area around the character. The steadicam is a done with a device that makes so the camera is steady no matter how much the operator move
Ok! So everything I said in the last blog about having a car scene and building an idea around that has been scrapped! I've been doing some more soul searching these past few days, and I've also evaluated my situation, and came up with a new plot. First, I can't really do a car scene because my mom is always using her car for work and my friends live too far away, so it would be a hassle for them to drive to my house everyday to shoot. I still want to do an outside scene though, so I thought about it and decided to just use my brother. He's going to be the main star in this coming of age running film. The premise is: a young athlete who's struggling his school life, his running career, and another dark secret. The film opening will show a progression of his day and how he spirals mentally. I also want there to be sort of a jump scare type of moment at the end, to hint at a bit of mystery. I have big hopes and plans for this film. I really like the plot I came up w
How do the elements of your production work together to create a sense of branding? Reflection #2 Transcript: I think the element I used the most is jump cuts within the scenes. I tried to show a progression of time using multiple shots to build the scene, instead of using a few long takes. I do have a longer take compared to the rest near the end, but other than that, every scene is cut pretty heavily to show multiple things happening within the scene in a sort of fast paced manner. I used this to show Miles does a lot during his day and there's a lot going on, except at the end when he's just sitting and we're listening to his thoughts. But, I think this created a good branding for me that can be also seen in my preliminary film, because I find it more effective to use multiple cuts instead of a few long takes for a film. I just think it shows a little more, a little more of what's going on in the scene versus just, like, one take following one character. I just thou
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