Women in Film

Women are a minority in film. In terms of representation, women have historically been played as the weaker characters. Most of the time, they're there to be eye candy or to hang off the male lead's arm. If not, they are helpless creatures who can't protect themselves and must be saved by the male hero. Even behind the scenes, there are a lot less female directors than there is male. But, these past years, there has been many strides to change this. There are movies like "Booksmart" that came out this year that have female leads who's entire plot don't revolve around falling in love. In the "Avengers" franchise, there's a female lead, Black Widow, who's getting her own movie soon. Although women in the past were mainly given insignificant, sometimes even degrading roles, things are slowly changing for the better as more people demand for gender diversity in media. 

image credit: thewrap.com



Comments

Post a Comment

Popular posts from this blog

Camera Movements

Image
 Today I went over a topic that I accidently skipped: camera movements. The camera movements are the movement of the camera in the film at the scene is being shot.  First there's the pan, which is when the camera moves steadily from left to right. The tilt, which creates a Dutch angle, is when the camera is tilted at an angle, to provide a distorted effect. The dolly is when the entire camera is moved forward or back, similar but not the same as a zoom. A zoom is only when the lens is moved forward, and it allows for the viewer to focus in on what the director wants to emphasize. The reverse zoom works the same, except the lens is moved backwards and it's usually done to reveal the background and surrounding objects.  The crane is, as the title, as shot that's done on a long mechanical arm that's like a crane, which can widely show the area around the character. The steadicam is a done with a device that makes so the camera is steady no matter how much the operator move
Read more

Reflection #2

 How do the elements of your production work together to create a sense of branding? Reflection #2 Transcript: I think the element I used the most is jump cuts within the scenes. I tried to show a progression of time using multiple shots to build the scene, instead of using a few long takes. I do have a longer take compared to the rest near the end, but other than that, every scene is cut pretty heavily to show multiple things happening within the scene in a sort of fast paced manner. I used this to show Miles does a lot during his day and there's a lot going on, except at the end when he's just sitting and we're listening to his thoughts. But, I think this created a good branding for me that can be also seen in my preliminary film, because I find it more effective to use multiple cuts instead of a few long takes for a film. I just think it shows a little more, a little more of what's going on in the scene versus just, like, one take following one character. I just thou
Read more

Planning!

 After so much research, I finally started planning out my film opening. I've decided to do a coming of age film, because that is a genre that I've seen a lot and can relate to as a teenager. I want my filming to be done outdoors, so I've been trying to build a plot around that idea. So far, all I can think of is good car scene that ends up with the main character getting dropped off.  What plot can be built from that?  In most coming of age movies I've seen, scenes that take place in a car usually feature a fight between two characters while the main character looking out the window. Or, the main character and the driver are having a deep, emotional talk while, again, the main character is looking out the window.  My favorite car scene is from "Clueless," because it's funny and the high energy is something I want to emulate. I've re-watched "Clueless" over the weekend, and even though it's more comedy than I want for my film, I did take
Read more